• Back-illuminated 24.2MP12 full-frame sensor The 35 mm full-frame Exmor R™ CMOS image sensor features 24.2-megapixel12 resolution, back illumination, and gapless on-chip lens design for extraordinary sensitivity and dynamic range. Two times faster13 data readout speed is achieved through copper wires and front-end LSI.
    Steadier shots with 5-axis stabilisation

    The latest high-precision stabilisation uses stabilisation unit and gyro sensors and algorithms to achieve a 5.0-step shutter speed advantage in a system that compensates five types of camera shake with a wide range of lenses, and delivers excellent performance.

    AF performance is improved using the same AF advancements as in the α9 and applying it optimally, so once the α7 III captures such unpredictably moving subjects as dancers, boxers, and wild animals in action, it won’t easily let them go.  
    • Sensor: 24.2MP 35 mm Full-Frame CMOS Sensor with Back-Illuminated Design
    • ISO: Sensitivity Range Up To ISO 51200 (Expandable To ISO 50-204800 For Stills)
    • Image Processor: Fast Hybrid AF with 693 Phase-Detection and 425 Contrast-Detection AF Points
    • High-Speed Continuous Shooting Of Up To 10fps with AF/AE Tracking
    • Fast Hybrid AF Brings High Speed, Accuracy and Tracking Performance To Meet The Stringent Autofocus Demands Of 4K Movies
    • In-Body 5-Axis Image Stabilisation with 5.0-Stop29 Shutter Speed Advantage
    • Connectivity: WiFi, NFC and Bluetooth Built-In (Useful For Remotely Controlling Your Camera and Transferring Pictures Wirelessly As You Shoot)
    • Lens Mount: Sony E
    • The Touch Tracking Feature Provides Smooth, Continuous Focus Tracking Of Your Subject, and It Can Be Activated with A Simple Touch Of The Display Screen
    • Interval Shooting For Time-Lapse Movie
  • 42.4MP full-frame Exmor R™ CMOS sensor

    The Exmor R sensor's back-illuminated, gapless on-chip lens design increases light sensitivity and provides wide dynamic range, despite its high resolution of 42.4MP

    Greatly enhanced image processing

    A new front-end LSI and BIONZ X™ boost processing speed are teamed with the Exmor R™ sensor to deliver up to 15-stop dynamic range at low ISO sensitivity for stills, enabling richer tonal expression.

    Wide standard ISO 100-32000 range

    The standard ISO range has been extended to ISO 100–32000 (expandable to ISO 50–102400), and noise has been reduced by as much as a full stop in the mid sensitivity range.

    • 42MP Full-Frame Exmor R BSI CMOS Sensor
    • BIONZ X Image Processor & Front-End LSI
    • 399-Point AF System & 10 fps Shooting
    • UHD 4K30p Video with HLG & S-Log3 Gammas
    • 3.69m-Dot Tru-Finder OLED EVF
    • 3.0" 1.44m-Dot Tilting Touchscreen LCD
    • 5-Axis SteadyShot INSIDE Stabilization
    • ISO 102400 & Pixel Shift Multi Shooting
    • Built-In Wi-Fi/Bluetooth, Dual SD Slots
    • USB 3.1 Gen 1 Type-C Port & PC Sync Port
  • Newly developed 33‑MP full-frame back-illuminated CMOS image sensor

    Delivering outstanding performance and excellent image quality in both stills and movies, the α7 IV's new 33.0 megapixel Exmor R™ CMOS image sensor provides high-speed readout, high sensitivity, low noise, and highly accurate colour reproduction.

    Flagship-level image processing with BIONZ XR™

    The α7 IV uses the latest image processor to offer greatly enhanced performance, with improved image quality and colour reproduction. Fast processing speeds facilitate comfortable continuous shooting as well as responsive operation while performing data transfers.

    5-axis optical image stabilisation

    Up to 5.5-step shutter-speed compensation from the in-body stabilisation unit

    The α7 IV's high-precision stabilisation unit and gyro sensors work together with image-stabilisation algorithms to achieve up to 5.5 steps of shutter-speed compensation, to maximise the high-resolution performance of the camera's 33.0‑MP image sensor.

  • Large pixels deliver high sensitivity and low noise

    The new full-frame 12.1-megapixel back-illuminated Exmor RTM CMOS image sensor packs major innovations in light gathering, wiring and output optimisation. These deliver blazing doubled readout speeds, superb image quality throughout the whole sensitivity range, 15-stop wide dynamic range, and reduced rolling shutter, with the sensor also providing focal-plane phase-detection AF.

    Stunning AF performance even at 4K 120p

    The new Exmor R full-frame image sensor and revolutionary BIONZ XR image processing engine deliver always-active pinpoint AF for astonishing detail in both space and time, and stunning 4K movies even at 120 frames per second or in slow motion. With the resolution and depth of field only possible from a full-frame sensor, the results are spectacular.

    10-bit 4:2:2 recording

    Record right on the camera with the amazing richness of 10-bit depth and 4:2:2 colour sampling, for far greater flexibility in image grading, post-processing and compositing.

     
    • 12MP Full-Frame Exmor R BSI CMOS Sensor
    • UHD 4K 120p Video, 10-Bit 4:2:2 Internal
    • 16-Bit Raw Output, HLG & S-Cinetone
    • 759-Point Fast Hybrid AF
    • 9.44m-Dot QXGA OLED EVF
    • 3.0" 1.44m-Dot Vari-Angle Touchscreen
    • 5-Axis SteadyShot Image Stabilization
    • Extended ISO 40-409600, 10 fps Shooting
    • Dual CFexpress Type A/SD Card Slots
  • Full HD XAVC Intra/Long GOP recordings and MPEG HD 422 50 Mbps with superb picture quality for broadcast applications such as newsgathering and documentaries

    The PXW-X200 is a compact XDCAM camcorder with three 1/2-type Exmor CMOS sensors for high sensitivity and low noise recordings in Full HD XAVC Intra and XAVC Long GOP, as well as MPEG HD 422 50 Mbps MPEG HD 420 35 Mbps, MPEG IMX and DV.

    Superb picture quality

    Three 1/2-type Exmor™ CMOS sensors for high sensitivity and low noise images.

    Multi-format recordings, including XAVC

    Full HD XAVC Intra and XAVC Long GOP, as well as MPEG HD 422 50 Mbps MPEG HD 420 35 Mbps, MPEG IMX and DV.

    Professional features

    Dual SxS memory card slots for simultaneous recordings, SDXC card compatibility (exFAT recordings only), cache recordings, Slow & Quick function and a 3.5 inch-type QHD (960 x 540) colour LCD panel.

    17x Fujinon professional HD zoom lens

    Independent focus, zoom and iris rings with end stops, able to zoom from 29.3mm to 499mm (35mm equivalent).
    • 360 Creative Powerhouse: Shoot first, point later with 5.7K Active HDR video, 72MP photos and 8K timelapses.
    • 4K Single-Lens Mode: Shoot epic first-person views at 4K30fps or 2.7K with ultra-wide MaxView.
    • 1/2″ 48MP Sensor: Reveal the details with X3’s brand new 1/2″ image sensor.
    • Magic Third-Person Views: Shoot impossible drone-like views with the Invisible Selfie Stick.
    • FlowState Stabilization: Stabilize the action with gimbal-like stabilization and 360 Horizon Lock.
    • Massive Touchscreen: 2.29″ tempered glass touchscreen for easy operation on the go.
    • Rugged and Waterproof: Robust for any adventure and waterproof to 33ft.
    • Powerful Editing Suite: Let AI edit for you in the Insta 360 app. Edit viral edits in a tap.
  • GoPro HERO9 Black

    More power. More clarity. More stability. The groundbreaking HERO9 Black sports a beastly 23.6MP sensor for ridiculous 5K video and stunning 20MP photos. A dazzling new front display delivers a live preview for easy framing, while a large rear touch screen with touch zoom provides fast, intuitive control. HERO9 Black boasts a powerful new feature suite, including HindSight, and supports live streaming and Webcam mode as well. Add in HyperSmooth 3.0, built-in mounting and 30% more battery life¹ for more of everything—in a camera that’s tough as nails and waterproof as ever. Available mods including the ultra-wide Max Lens Mod, Light Mod, Display Mod and Media Mod expand your creative options even more.
    • Revolutionary Processor: Faster. Smoother. Better. The powerful new GP2 engine changes the game—snappy performance, responsive touch controls and double the frame rate for amazingly smooth footage. Designed specifically for the demanding nature of the GoPro, the GP2 “system on a chip” is by far our fastest ever.
    • High-Res Photos + Videos, High Frame Rate: Step up to the sharpest-shooting GoPro ever. Upgraded to incredible 23MP photos and 5.3K video resolution at 60fps, HERO10 offers double the frame rate for amazingly smooth motion. Plus, there’s 8x slo-mo at 2.7K and you can pause videos and grab 15.8MP still photos from 5.3K video that look amazing.
    • The Power of HERO11 Black. Only Smaller + Lighter. Get the same high-performance 5.6K60 video and HyperSmooth 5.0 video stabilization of HERO11 Black in a smaller and lighter design. HERO11 Black Mini?s size makes it ideal for capturing amazing point-of-view footage using helmet and body mounts. It can be worn comfortably without getting in your way while mountain biking, skiing, skating and more.
    • 1-Button Simplicity with Easy + Pro Controls. HERO11 Black Mini makes capturing amazing footage of your adventure incredibly easy. Just point and shoot. Using the Easy Controls, all you have to do is press the Shutter button to power up your camera and starting recording stunning 5.3K video?our highest resolution. Switch over to Pro Controls if you want to adjust resolutions, frame rates, digital lenses and image quality settings to set up shots exactly the way you want them.
    • Up to 8x Slo-Mo

      Catch details you’d never see at normal speeds—slow things way down to 8X slo-mo while keeping ridiculously high 2.7K video resolution. Or ramp up the resolution to 4K at 4X slo-mo.

  • High Performance All-Rounder

    The 4th generation model of Canon’s best-selling full-frame EOS camera EOS 5D Mark IV comes equipped with 30.4megapixel full-frame CMOS sensor and highly sought-after Dual pixel CMOS AF. High-speed, high-precision AF is realized not only for stills, but also for 4K movie shooting, making pro-level footage a possibility. Canon Log is also made available for users who are looking to shoot serious video footage. With this firmware upgrade, the dynamic range increases 800 percent, providing 12 stops of dynamic range, even in low light.  
    • 30.4MP Full-Frame CMOS Sensor
    • DIGIC 6+ Image Processor
    • 3.2" 1.62m-Dot Touchscreen LCD Monitor
    • DCI 4K Video at 30 fps; 8.8MP Still Grab
    • 61-Point High Density Reticular AF
    • Native ISO 32000, Expanded to ISO 102400
    • Dual Pixel RAW; AF Area Select Button
    • Dual Pixel CMOS AF and Movie Servo AF
    • 7 fps Shooting; CF & SD Card Slots
    • Built-In GPS and Wi-Fi with NFC
  • Canon’s Cinema EOS C300 Mark III is the next evolution of Canon’s professional cinema camera range. Created with broadcast and film professionals in mind, the small and modular body houses the newly developed Dual Gain Output sensor that delivers outstanding image quality.
    • Super 35mm DGO Sensor with 16+ stops of Dynamic Range
    • 120fps in 4K Cinema Raw Light
    • Modular Design for Camera Customization
    • 12G – SDI output, Dual Pixel Autofocus with Touchscreen Support
  • Highly Modular with Full-frame 5.9K RAW video recording

    The EOS C500 Mark II is an advanced and compact digital cinema camera with a 5.9K full-frame sensor and a brand new image processing platform. Its modular design allows users to freely and easily customise the camera to meet their shooting needs. The outstanding expandability and mobility permits video content production of various range. The dynamic range of 15+ stops allows a greater freedom in creative expression. EOS C500 Mark II has the newly developed DIGIC DV 7 high-speed image-processing platform that allows for high-quality 4K 50p / 60p recording, oversampled from the 5.9K full-frame sensor. It records in the XF-AVC Intra format that offers both outstanding quality and ease of editing.  
    • 5.9K Full Frame sensor
    • 4K at 50p/60p with 4:2:2 sampling
    • Cinema RAW Light and XF-AVC Intra Frame records to CFExpress Type B Cards
    • Extension units for additional functionality to suit user needs (sold separately)
    • Dual pixel CMOS AF with Dual Pixel Focus Guide
    • Supports HLG and PQ standards
    • Lightweight, modular design for user optimisation
  • The Blackmagic Pocket Cinema Camera 6K Pro is an advanced technology, handheld 6K digital film camera with 6144 x 3456 Super 35 high resolution HDR sensor, dual native ISO, EF lens mount and direct recording to USB‑C disks! This powerful model adds an adjustable HDR touchscreen, built in ND filters, and a larger battery for longer run time. You can even add an optional OLED viewfinder!  
    • Bright 1500 cd/m² Tilting HDR LCD
    • Super35 HDR Sensor, Gen 5 Color Science
    • Dual XLR Inputs, Canon Active EF Mount
    • NP-F570 Battery, Built-In ND Filters
    • Record 6K 6144 x 3456 up to 50 fps
    • Dual Native 400 & 3200 ISO to 25,600
    • CFast 2.0 & SD/UHS-II Card Slots
    • Record up to 120 fps Windowed HD
    • USB Type-C Recording, 3D LUT Support
    • 13-Stop Dynamic Range, Autofocus Support
  • E-mount flexibility extended

    E-mount offers unsurpassed compatibility with both Sony and third-party lenses. And for FS7 II there’s an all-new lever lock design. Simply put the lens in place and rotate the collar until it locks in place. A lens release lever provides added security. The process of switching lens can be simplified to save time. And of course, the E-mount can take cinema lenses and SLR lenses with a third-party adaptor, as well as Sony’s E-mount and A-mount lenses. Whatever your lens requirements, FS7 II has you covered.

    180fps High Frame Rates

    High Frame Rate shots can turn everyday actions into slow-motion ballet, a visual feast of elegant movement. The FS7 II delivers a maximum of 180 frames per second (fps) continuous shooting in Full HD. If your project plays at the cinematic 24fps, you get beautiful 7.5x Super Slow Motion. There’s no sacrifice in bit depth and no ‘windowing’ of the sensor. So there’s no crop factor and no loss in angle of view. The camera also performs Slow and Quick (S&Q) motion from 1 to 180fps in 1fps increments. So, you can alter the narrative by selectively speeding up or slowing down the action.

    Multi-Interface (MI) Shoe

    The FS7 II takes advantage of Sony’s flexible Multi-Interface (MI) Shoe, which provides power, signal connections and coordinated on/off switching to compatible Sony accessories. For example, you can connect and control Sony wireless microphone systems such as the UWP-D11 or UWP-D12 or attach the HVL-LBPC light*.
    • uper 35-Sized CMOS Sensor
    • Locking Sony E-Mount
    • Integrated Electronic Variable ND Filter
    • DCI 4K (4096 x 2160) up to 59.94p
    • UHD up to 59.94 fps, HD up to 180 fps
    • XAVC-I/L, MPEG-2, XAVC up to 600 Mb/s
    • Supports Rec. 709 and BT-2020
    • Dual XQD Memory Card Slots
    • Dual HD/3G-SDI and HDMI Output
    • Ergonomic Handgrip with Camera Controls
  • 4K 120fps with every frame in focus

    Even at high frame rates, detailed 4K imagery is captured thanks to the FX3's high-precision AF and high-speed readout capabilities. Slow and Quick (S&Q) mode gives you full control over the shooting frame rate, for beautiful motion sequences at up to 5x slow motion (with 24p output).

     
    10-bit S-Log3 and HDR recording for smooth gradations

    S-Log3 gamma curve and S-Gamut3.Cine enable shooting with high-quality colour reproduction over a wide dynamic range, and they make it easy to match up footage with shots from other Cinema Line cameras during post-production. In addition, an HLG (Hybrid Log-Gamma) HDR picture profile enables direct HDR (HLG) playback on compatible TVs with no post-production.

    Enjoy rich detail and realistic colour

    The FX3 is capable of 4K internal recording, 10-bit depth and 4:2:2 colour sampling with All Intra on top of Long-GOP compression. This makes it possible to push your colour grades further while still retaining natural gradation, for true editing freedom.

    [1] All-Intra (All-I)   [2] Long-GOP   [3] Group of Pictures  
    • 12.1MP Full-Frame CMOS Exmor R Sensor
    • UHD 4K up to 120 | 1080p up to 240
    • Compact Form for Cage-Free Operation
    • 10-Bit 4:2:2 XAVC S-I,16-Bit Raw Output
    • S-Cinetone/S-Log3/HLG, 15+ Stops DR
    • Detachable 2 x XLR/TRS Adapter Handle
    • Phase Detection AF/Face Tracking/Eye AF
    • 80 to 409,600 Expanded ISO Range
    • Dual CFexpress Type A/SDXC Card Slots

  • The FX6 camera combines a 4K full-frame Exmor R sensor with a BIONX XR engine for extremely sensitive capture in a range of settings, using a base ISO of 800 as well as an ISO 12800 high-sensitivity mode for nuanced low-light scenes.
    Fast Hybrid AF for accuracy and tenacity

    The wide-area AF uses intelligent tracking and on-sensor phase-detection for tenacious subject tracking across almost the entire frame (627-point focal plane phase-detection AF covers approx. 89% of the image area). The hybrid AF system delivers precise focusing even when shooting at shallow depths of field and at 120p high frame rates in 4K (QFHD).

    Real-time Eye AF and Face Detection supported

    Real-time Eye AF and Face Detection ensure accurate, stable focus acquisition for interviews, events and anywhere where precise focus on people is essential. Sophisticated real-time processing realises pinpoint eye focus even when subjects are looking down or up at steep angles, allowing the operator to concentrate fully on composing the best shot.

     
    • 4K Full-Frame 10.2MP CMOS Exmor R Sensor
    • DCI 4K60p | UHD 4K120 | 1080p240
    • 15+ Stops of Dynamic Range in S-Log 3 EI
    • Compact Form Weighs Just <2 lb
    • Phase Detection AF/Face Tracking/Eye AF
    • Base 800-12,800 ISO / 320-409,600 Max
    • S-Cinetone, S-Log3, HLG Modes
    • 10-Bit 4:2:2 XAVC-I/16-Bit Raw Output
    • Dual CFexpress Type A/SDXC Card Slots
  • 6K Full-Frame “Exmor R” sensor for stunning picture quality

    The back-illuminated full-frame 6K CMOS sensor uses Sony’s Exmor R technology for improved sensitivity and reduced noise. When recording at DCI 4K*, Ultra HD resolutions the ability to oversample and capture at 6K, combined with powerful image processing, ensures that subtle details and textures beyond those that can be captured by a conventional 4K sensor are retained while at the same time noise is reduced. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area, providing a wider angle of view, making it easier to gain a shallower depth of field. You can also shoot with Super 35mm lenses without compromise, capturing at 4K in super 35mm with all the benefits of this advanced imaging sensor.
    • 6K Full-Frame Exmor R CMOS Sensor
    • 15 Stops of Dynamic Range, Dynamic HDR
    • DCI 4K and UHD 4K up to 60p
    • Quad Full HD 120p Raw with XDCA-FX9 Unit
    • HD Recording up to 150/180 fps
    • Sony E-Mount
    • 10-Bit 4:2:2 XAVC-I up to 600 Mb/s
    • Auto-HD, AF, 7-Stop ND Filter, 3D LUTs
    • Dual Base ISO up to 102,400, HLG Mode
    • 12G/6G/3G-SDI & HDMI Output up to 4K
    *DCI 4K (4096 x 2160 at 17:9 recording) requires Ver.2.0 or higher firmware.
  • Record 16-bit linear RAW (using the XDCA-FX9 Extension Unit)

    Capture 16-bit linear RAW in a visually lossless 12-bit log Apple ProRes RAW format and make maximum use of Sony’s state of the art Exmor R Full Frame 6K Sensor, using a single BNC cable. The recorded 12-bit log format lets you capture 68 billion colour graduations preserving every important detail in your image, while still maintaining practical data rates. These unprocessed files are extremely clean, preserving the maximum dynamic range, color accuracy and every detail, allowing for greater creativity in post-production with perfect skin tones and easily matched colors, ideal for both HDR and SDR (Rec.709) workflows. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction leading to cleaner RAW images.
    Connection RAW via XDCA-FX9
    12G-SDI, 3G-SDI on Camera
    HDMI 2.0 on Camera
    Internal Recording XAVC-I 10bit 4:2:2
    Output For Recording – VIDEO 10bit 4:2:2
    Output for  Recording – RAW 16-bit Linear RAW
    Log Output – VIDEO Slog3, HLG
    Log Output – RAW 16bit Linear Raw
    Trigger HDMI trigger
    Timecode SDI and Time code
    Audio Output 2 channels on HDMI / SDI
    Audio Input 2 x XLR
    Power Sony BPU or Vlock via XDCA-FX9

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