- The Power of HERO11 Black. Only Smaller + Lighter. Get the same high-performance 5.6K60 video and HyperSmooth 5.0 video stabilization of HERO11 Black in a smaller and lighter design. HERO11 Black Mini?s size makes it ideal for capturing amazing point-of-view footage using helmet and body mounts. It can be worn comfortably without getting in your way while mountain biking, skiing, skating and more.
- 1-Button Simplicity with Easy + Pro Controls. HERO11 Black Mini makes capturing amazing footage of your adventure incredibly easy. Just point and shoot. Using the Easy Controls, all you have to do is press the Shutter button to power up your camera and starting recording stunning 5.3K video?our highest resolution. Switch over to Pro Controls if you want to adjust resolutions, frame rates, digital lenses and image quality settings to set up shots exactly the way you want them.
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Up to 8x Slo-Mo
Catch details you’d never see at normal speeds—slow things way down to 8X slo-mo while keeping ridiculously high 2.7K video resolution. Or ramp up the resolution to 4K at 4X slo-mo.
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The 4th generation model of Canon’s best-selling full-frame EOS camera EOS 5D Mark IV comes equipped with 30.4megapixel full-frame CMOS sensor and highly sought-after Dual pixel CMOS AF. High-speed, high-precision AF is realized not only for stills, but also for 4K movie shooting, making pro-level footage a possibility. Canon Log is also made available for users who are looking to shoot serious video footage. With this firmware upgrade, the dynamic range increases 800 percent, providing 12 stops of dynamic range, even in low light.High Performance All-Rounder
- 30.4MP Full-Frame CMOS Sensor
- DIGIC 6+ Image Processor
- 3.2" 1.62m-Dot Touchscreen LCD Monitor
- DCI 4K Video at 30 fps; 8.8MP Still Grab
- 61-Point High Density Reticular AF
- Native ISO 32000, Expanded to ISO 102400
- Dual Pixel RAW; AF Area Select Button
- Dual Pixel CMOS AF and Movie Servo AF
- 7 fps Shooting; CF & SD Card Slots
- Built-In GPS and Wi-Fi with NFC
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Canon’s Cinema EOS C300 Mark III is the next evolution of Canon’s professional cinema camera range. Created with broadcast and film professionals in mind, the small and modular body houses the newly developed Dual Gain Output sensor that delivers outstanding image quality.- Super 35mm DGO Sensor with 16+ stops of Dynamic Range
- 120fps in 4K Cinema Raw Light
- Modular Design for Camera Customization
- 12G – SDI output, Dual Pixel Autofocus with Touchscreen Support
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The EOS C500 Mark II is an advanced and compact digital cinema camera with a 5.9K full-frame sensor and a brand new image processing platform. Its modular design allows users to freely and easily customise the camera to meet their shooting needs. The outstanding expandability and mobility permits video content production of various range. The dynamic range of 15+ stops allows a greater freedom in creative expression. EOS C500 Mark II has the newly developed DIGIC DV 7 high-speed image-processing platform that allows for high-quality 4K 50p / 60p recording, oversampled from the 5.9K full-frame sensor. It records in the XF-AVC Intra format that offers both outstanding quality and ease of editing.Highly Modular with Full-frame 5.9K RAW video recording
- 5.9K Full Frame sensor
- 4K at 50p/60p with 4:2:2 sampling
- Cinema RAW Light and XF-AVC Intra Frame records to CFExpress Type B Cards
- Extension units for additional functionality to suit user needs (sold separately)
- Dual pixel CMOS AF with Dual Pixel Focus Guide
- Supports HLG and PQ standards
- Lightweight, modular design for user optimisation
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The Blackmagic Pocket Cinema Camera 6K Pro is an advanced technology, handheld 6K digital film camera with 6144 x 3456 Super 35 high resolution HDR sensor, dual native ISO, EF lens mount and direct recording to USB‑C disks! This powerful model adds an adjustable HDR touchscreen, built in ND filters, and a larger battery for longer run time. You can even add an optional OLED viewfinder!- Bright 1500 cd/m² Tilting HDR LCD
- Super35 HDR Sensor, Gen 5 Color Science
- Dual XLR Inputs, Canon Active EF Mount
- NP-F570 Battery, Built-In ND Filters
- Record 6K 6144 x 3456 up to 50 fps
- Dual Native 400 & 3200 ISO to 25,600
- CFast 2.0 & SD/UHS-II Card Slots
- Record up to 120 fps Windowed HD
- USB Type-C Recording, 3D LUT Support
- 13-Stop Dynamic Range, Autofocus Support
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E-mount flexibility extended
E-mount offers unsurpassed compatibility with both Sony and third-party lenses. And for FS7 II there’s an all-new lever lock design. Simply put the lens in place and rotate the collar until it locks in place. A lens release lever provides added security. The process of switching lens can be simplified to save time. And of course, the E-mount can take cinema lenses and SLR lenses with a third-party adaptor, as well as Sony’s E-mount and A-mount lenses. Whatever your lens requirements, FS7 II has you covered.180fps High Frame Rates
High Frame Rate shots can turn everyday actions into slow-motion ballet, a visual feast of elegant movement. The FS7 II delivers a maximum of 180 frames per second (fps) continuous shooting in Full HD. If your project plays at the cinematic 24fps, you get beautiful 7.5x Super Slow Motion. There’s no sacrifice in bit depth and no ‘windowing’ of the sensor. So there’s no crop factor and no loss in angle of view. The camera also performs Slow and Quick (S&Q) motion from 1 to 180fps in 1fps increments. So, you can alter the narrative by selectively speeding up or slowing down the action.Multi-Interface (MI) Shoe
The FS7 II takes advantage of Sony’s flexible Multi-Interface (MI) Shoe, which provides power, signal connections and coordinated on/off switching to compatible Sony accessories. For example, you can connect and control Sony wireless microphone systems such as the UWP-D11 or UWP-D12 or attach the HVL-LBPC light*.- uper 35-Sized CMOS Sensor
- Locking Sony E-Mount
- Integrated Electronic Variable ND Filter
- DCI 4K (4096 x 2160) up to 59.94p
- UHD up to 59.94 fps, HD up to 180 fps
- XAVC-I/L, MPEG-2, XAVC up to 600 Mb/s
- Supports Rec. 709 and BT-2020
- Dual XQD Memory Card Slots
- Dual HD/3G-SDI and HDMI Output
- Ergonomic Handgrip with Camera Controls
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4K 120fps with every frame in focusEven at high frame rates, detailed 4K imagery is captured thanks to the FX3's high-precision AF and high-speed readout capabilities. Slow and Quick (S&Q) mode gives you full control over the shooting frame rate, for beautiful motion sequences at up to 5x slow motion (with 24p output).
10-bit S-Log3 and HDR recording for smooth gradationsS-Log3 gamma curve and S-Gamut3.Cine enable shooting with high-quality colour reproduction over a wide dynamic range, and they make it easy to match up footage with shots from other Cinema Line cameras during post-production. In addition, an HLG (Hybrid Log-Gamma) HDR picture profile enables direct HDR (HLG) playback on compatible TVs with no post-production.
Enjoy rich detail and realistic colourThe FX3 is capable of 4K internal recording, 10-bit depth and 4:2:2 colour sampling with All Intra on top of Long-GOP compression. This makes it possible to push your colour grades further while still retaining natural gradation, for true editing freedom.
[1] All-Intra (All-I) [2] Long-GOP [3] Group of Pictures- 12.1MP Full-Frame CMOS Exmor R Sensor
- UHD 4K up to 120 | 1080p up to 240
- Compact Form for Cage-Free Operation
- 10-Bit 4:2:2 XAVC S-I,16-Bit Raw Output
- S-Cinetone/S-Log3/HLG, 15+ Stops DR
- Detachable 2 x XLR/TRS Adapter Handle
- Phase Detection AF/Face Tracking/Eye AF
- 80 to 409,600 Expanded ISO Range
- Dual CFexpress Type A/SDXC Card Slots
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The FX6 camera combines a 4K full-frame Exmor R sensor with a BIONX XR engine for extremely sensitive capture in a range of settings, using a base ISO of 800 as well as an ISO 12800 high-sensitivity mode for nuanced low-light scenes.Fast Hybrid AF for accuracy and tenacityThe wide-area AF uses intelligent tracking and on-sensor phase-detection for tenacious subject tracking across almost the entire frame (627-point focal plane phase-detection AF covers approx. 89% of the image area). The hybrid AF system delivers precise focusing even when shooting at shallow depths of field and at 120p high frame rates in 4K (QFHD).
Real-time Eye AF and Face Detection supportedReal-time Eye AF and Face Detection ensure accurate, stable focus acquisition for interviews, events and anywhere where precise focus on people is essential. Sophisticated real-time processing realises pinpoint eye focus even when subjects are looking down or up at steep angles, allowing the operator to concentrate fully on composing the best shot.
- 4K Full-Frame 10.2MP CMOS Exmor R Sensor
- DCI 4K60p | UHD 4K120 | 1080p240
- 15+ Stops of Dynamic Range in S-Log 3 EI
- Compact Form Weighs Just <2 lb
- Phase Detection AF/Face Tracking/Eye AF
- Base 800-12,800 ISO / 320-409,600 Max
- S-Cinetone, S-Log3, HLG Modes
- 10-Bit 4:2:2 XAVC-I/16-Bit Raw Output
- Dual CFexpress Type A/SDXC Card Slots
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6K Full-Frame “Exmor R” sensor for stunning picture quality
The back-illuminated full-frame 6K CMOS sensor uses Sony’s Exmor R technology for improved sensitivity and reduced noise. When recording at DCI 4K*, Ultra HD resolutions the ability to oversample and capture at 6K, combined with powerful image processing, ensures that subtle details and textures beyond those that can be captured by a conventional 4K sensor are retained while at the same time noise is reduced. Compared to a 4K Super 35mm sensor, the FX9’s 6K sensor has over twice the surface area, providing a wider angle of view, making it easier to gain a shallower depth of field. You can also shoot with Super 35mm lenses without compromise, capturing at 4K in super 35mm with all the benefits of this advanced imaging sensor.- 6K Full-Frame Exmor R CMOS Sensor
- 15 Stops of Dynamic Range, Dynamic HDR
- DCI 4K and UHD 4K up to 60p
- Quad Full HD 120p Raw with XDCA-FX9 Unit
- HD Recording up to 150/180 fps
- Sony E-Mount
- 10-Bit 4:2:2 XAVC-I up to 600 Mb/s
- Auto-HD, AF, 7-Stop ND Filter, 3D LUTs
- Dual Base ISO up to 102,400, HLG Mode
- 12G/6G/3G-SDI & HDMI Output up to 4K
*DCI 4K (4096 x 2160 at 17:9 recording) requires Ver.2.0 or higher firmware. -
Record 16-bit linear RAW (using the XDCA-FX9 Extension Unit)
Capture 16-bit linear RAW in a visually lossless 12-bit log Apple ProRes RAW format and make maximum use of Sony’s state of the art Exmor R Full Frame 6K Sensor, using a single BNC cable. The recorded 12-bit log format lets you capture 68 billion colour graduations preserving every important detail in your image, while still maintaining practical data rates. These unprocessed files are extremely clean, preserving the maximum dynamic range, color accuracy and every detail, allowing for greater creativity in post-production with perfect skin tones and easily matched colors, ideal for both HDR and SDR (Rec.709) workflows. The back-illuminated CMOS image sensor also uses Sony’s Exmor R technology for improved sensitivity and noise reduction leading to cleaner RAW images.Connection RAW via XDCA-FX9 12G-SDI, 3G-SDI on Camera HDMI 2.0 on Camera Internal Recording XAVC-I 10bit 4:2:2 Output For Recording – VIDEO 10bit 4:2:2 Output for Recording – RAW 16-bit Linear RAW Log Output – VIDEO Slog3, HLG Log Output – RAW 16bit Linear Raw Trigger HDMI trigger Timecode SDI and Time code Audio Output 2 channels on HDMI / SDI Audio Input 2 x XLR Power Sony BPU or Vlock via XDCA-FX9 -
The Canon EF 2x II Extender is a high-quality teleconverter that preserves the image quality of the lens it's mounted to and multiplies its focal length by 2x. When combined with pro level EOS cameras & EF supertelephoto lenses with image stabilization, near imperviousness to weather extremes is achieved thanks to rubber gasket seals. Improved antireflective internal coatings also increase transmissivity & performance in backlit conditions.